Monday, 7 April 2014

Episode 6 Futamono


Pacing…

Cold cold heart

Heart of stone.

Beats alone.

 

Pairing…

Cold cold feet

Feet of clay.

Walk away.


Futamono is the mid-meal course in Kaiseki of a small but robust soup or stew served in a lidded bowl. We are mid-meal in the story of Season 2 and now everyone is hiding something in this tempest of tiny pots. One by one, the lids will soon blow off!

Kicking the bucket list

     Nothing like surviving strangulation in your swimtrunks to make you lust for life. For you and me, that might mean ordering a dangerously rare steak and staying out late on a weeknight. As always, with Hannibal, it’s an order of magnitude higher: he kicks back by kidnapping and roasting a comedian, doping a friend-with-benefits and having a party for everyone who thinks they know him.

Quick sketches to send to Heads of Departments as the script changes keep on coming

Alana, straight and narrow  

     First of all, I just have to say it: Alana drives me mad. Thoughtful and sensitive, how can the girl be so wrong, wrong, wrong about so many things? She’s our darling daring Little Red Riding Hood in the woods having a picnic with the monster who ate her granny.

     Back in Season One, when I gave Carolyn Dhavernas a cook’s tutorial for her first kitchen scene – chopping carrots with Hannibal --  she showed excellent knife skills. But, in character while doing the scene, she was so reckless with the knife I was on edge the whole time. Blithely drinking a little too much in that first scene with Hannibal, Alana was charmingly guileless, headstrong and a little drunk on Hannibal’s cellar-brewed People Beer. I didn't realize it back then but Carolyn had her character totally nailed. It was a real foreshadowing of this episode’s seduction scene when Alana drinks a little too much of Hannibal’s poisoned wine and as a result, she misses entire chunks of the evening. Like when he slips out of bed to get the fixin’s for a midnight snack -- roast thigh.
Eddie's  thigh baked in clay with marrow and tiny Lady Apples on the side

Surprise, it’s Eddy’s thigh

     Up til now, the script had called for Alana having lasagna with Hannibal. I got my first clue there would be a thigh roasting when I heard my phone chirping just after midnight as I’m on my way home. It’s Bryan Fuller asking cheerfully, “Hi Everyone! We would like to so a Braised Roast of Eddie Izzard’s thigh. This shoots Friday (tomorrow). Any interesting tidbits about history of roast…or anecdote…? What can we do with a whole joint – bone and all…”

     Jose Andres, our food consultant in DC, replies with a suggestion of cooking the roast in clay so Hannibal can lecture Gideon about man being made of clay and returning to clay. It’s 1 o’clock in the morning.

     This is a wonderful idea! I email Bryan and Jose my thoughts on how it would be done for camera: Hannibal rubbing herbs into a thigh-sized cut of meat, rolling, barding and wrapping it in lotus leaf, then covering it in thin sheets of clay using a wire garrotte he just happens to have in his batterie de cuisine (stored next to the mace). 
   
     It’s 2:30 am. I need to know how it will play in the script because to be ready for Friday’s shoot, I have to order the special “people-sized cuts” from the butcher in the morning before he cuts all the pork sides out into normal roasts and chops.
Roman cauliflower studded with purple cauliflower to go with the Clay-roast Thigh

Late to bed early to rise – back to the market to get those thighs…

     Bryan promises to send me script revisions by 5 or 6am. Good because the butchers bring out the big knives around 6am and by 9 it’s too late to get special cuts. It’s almost 4am now so I sign off by telling Bryan I am going to dream of Beggar’s Chicken – an old Chinese peasant dish where you go outside and dig up wet clay from your yard to slather around a chicken which you have wrapped in lotus leaves. 

    While I sleep, I decide that I will use two double pork loins invisibly sewn together and trimmed to approximate the muscle size of Izzard’s thigh, boned.  I figure I will need 4 roasts per page of dialogue to cover the number of takes. In the morning, I read the new pages in time to see I need 6 to 8 roasts. Ettie and Victoria (my assistants) and I spend the next 16 hours stitching loins together, rolling sheets of clay, pinching clay into vine leaves and roasting eight complete thighs, each wrapped tightly in its own clay coffin. One bursts in the oven, so I have seven camera-ready beauties by 4am - just enough time to grab a nap before I  drive to set in time for the scene.
Video Village where producers and directors cluster around monitors to watch the scenes as they are being shot. Everyone has wandered off momentarily because we are frantically injecting water into the roast with a syringe so it will run with juice when Mads slices it on camera. Why frantically? The clay keeps plugging up the needle.





     The kitchen scenes of Hannibal preparing the roast are TBS (to be scheduled). They don't get on the schedule til just before our second hiatus. Worry about matching those thighs later! There's a party scene going on....
In the foreground, a tray of Heart Tartare in Filo Flowers waits to go to set

Enough of thighs and sighs-- on to the party for a feeding friendy!

     While the thighs have been roasting, the script for the party scene has changed from a sit-down dinner to a cocktail party. From a food stylist’s point of view, a cocktail party scene is the best. You get to do several extravagant pieces-montees for the central table and pretty decorated trays of hors d’oeuvres for the waiters to carry around the room, each morsel a jewel presented to the guests. Not like a sit-down dinner with crazy resets and keeping track of what each guest has on his plate for the dozen-plus takes of a dinner scene. 


Roulade of beef stuffed with sushi rice and chive flowers

JellyTimbits stuffed with Foie Gras and Timbit slices topped with Headcheese

Squab drumsticks on Fresh Figs and Fig Newtons - claws bursting up from the underworld ( Fig Newtons = Cookie Hell) flailing heavenward, grasping for (your) lifeblood
For a cocktail party scene, you have the much easier task of resetting the waiter’s trays which gives you lots of time to chuckle about the extras who have greedily gobbled several hors d’oeuvres on the first take then are condemned to eat the same amount again and again for every take.
 Boar's head with Sausage collar and Veggie Wig-hat. Couldn't get the eyes to close. Worst. Side eye. Ever. 

Crayfish and octopus Ultimate Fighting with trout and squid
     On location in a rambling home in outer Etobicoke, the scene shoots for about 10 hours. The party is swellegant yet scary as befits our Fancy Cannibal. Hannibal is of course one step ahead of everyone – just when they are all beginning to suspect he is The Ripper, he throws them a bone of a non-human kind.

Toss a bone to your friends, throw a party!

Recipes for your own "at Home" with Hannibal cocktail hour
Trays waiting to go to set

Heart Tartare Tarts

You can substitute chopped beef tenderloin for the heart in this recipe if you prefer - or go pescatarian and substitute chopped raw salmon (sushi grade, of course). 

For heart tartare:
1/2  lb. veal heart, finely chopped
1 tsp olive oil
1 raw egg yolk (optional)
1 tsp  capers
1 tsp chopped cornichon pickles
1 tsp red onions, finely chopped
salt, pepper to taste

For tart shells:
6 sheets filo dough (approx 12” x 18”)
½ cup melted butter

To make tartare:
1. Remove all silverskin, veins and connective tendons (the Chordae Tendineae - also called Heart Strings. Think about cow love and honour the beast)  
2. Combine chopped heart, oil, yolk, cornichons, onions, capers, salt and pepper. Refrigerate until just before serving.

To make pastry shells:
1. Brush 1 sheet of filo dough with butter and place two more sheets directly on top. Brush the top with butter and layer on two more sheets. Butter the top layer and add remaining 2 sheets. Press lightly to stick layers together. Cut the stacked filo into 12 squares 3” x 3”, reserving offcuts for shards. Press squares into the rounds of a buttered mini muffing tin allowing corners of pastry to extend up from sides of the rounds. Bake at 375 until lightly browned.
2. Set aside to cool. Fill each shell with 1 - 2 tsp heart tartare just before serving.

To make decorative shards:
1.  Cut pastry scraps into long triangular shards and place on buttered cookie sheet. Bake at 375 until golden brown. Set aside to cool. Spear into filled tart shells just before serving.

makes 12


Wagyu Beef Roulades

Rolling these is very easy if you use a bamboo mat such as is used for making Japanese maki sushi rolls. Otherwise, you could use a linen towel – as in the torchon method for making foie gras.

1 1/2-lb piece of wagyu beef sirloin, or beef tenderloin if you don't have the $300 for Wagyu
1 cup short grain rice for sushi
4 tsp seasoned rice wine vinegar**
1/4 cup Korean BBQ sauce*
 (optional) Chinese chives, blanched

12 pc parchment paper about 5" x 5"

1. Place beef into freezer for 45 minutes to firm up the meat so it can be sliced thinly.
2. Cook rice according to directions, cool and mix in rice wine vinegar.
3. Remove beef from freezer. It should semi frozen. Cut across grain into 1/8-inch slices. Gently shape and pound slices into squares 4 inches x 4 inches on the pieces of parchment paper.
4. Turn a square of beef onto sushi mat, paper side up. Peel off and discard paper. Spread a thin layer of rice on beef and roll up tightly. Tie circumference of roll in three places with a Chinese chive or butcher’s string. Brush with Korean BBQ sauce. Repeat with remaining beef and rice.
5. Grill lightly just to sear beef. Cut each roll in half for hors d’oeuvre size.

* ¼ cup soy sauce, 1 T brown sugar, 2 tsp chili hot sauce, ¼ tsp crushed garlic
**1 Tbsp rice wine vinegar, 1 tsp sugar, ¼  tsp salt

Makes 12 roulades or 24 pieces

Prosciutto Roses on Watermelon

For multicoloured options, use cantaloup or honeydew melon as well as watermelon.

12 one-inch cubes watermelon, no rind
12  thin slices prosciutto

1. Form a rose from each slice of prosciutto: shape one end of slice into a small bud-like cone then loosely wind the remaining strip around it. Refrigerate for 20 minutes to firm the prosciutto then skewer each rose with a decorative toothpick and stick one onto each  cube of watermelon.

Makes 12


Next week: Roast Beef in Plaid tell no lies




All content copyright Janice Poon 2014

Saturday, 29 March 2014

Episode 5 Muko zuki



  

Slice of life

Slice of pie

Sidekick thrust aside. 


Beverly.

A cut too deep.



     In a kaiseki dinner, Mukozuki is a small side dish of slices of raw and rare seasonal fish – sashimi. It is set on the far side of each guest’s lacquered tray, hence muko zuke (literally “set to the far side”) in a small beautifully glazed bowl or dish.

After going through the script I sketch up these concepts for this episode

Jack mines for the truth as Hannibal collects the gold

     Jose Andres, our Culinary Consultant in DC, wants Hannibal to make ‘Hangtown Fry” for this scene – in honor of the San Francisco 49ers. Hangtown Fry is a dish that became synonymous with Californian gold miners striking it rich in1849 and celebrating with the most expensive dish the local saloon-keeper could offer. It was first created by the cook at the El Dorado Hotel in Dry Diggins - renamed “Hangtown” after several unauthorized lynchings (you know how it only takes a few unfortunate outbursts to mar the reputation of a peaceable, if unpolished little town and sully the image of it’s simple but kindly townsfolk).
Hangtown Fry - with a crayfish and smoked Maldons salt

So out come the oversized oysters, sizzling bacon and --- fresh cracked eggs.

     We are more than a bit concerned with the Benihana egg trick called for in the script. I’ve tried it and can only get it 1 out of 4 tries, and I’ve seen Benihana chefs flub the manoeuver when they have an entire grill as target. Mads has to crack his eggs into a 8-inch diameter skillet. The props Master calls his guy. The Production Manager calls in his guy. I call my guy. On the morning of the shoot we have 8 dozen eggs and 3 Japanese chefs with their hands made up to be hand doubles.
On set - Three crack egg crackers: Benihana chef, Mads the Juggler and Mark AKA Judge Masa 

     I guess I don’t have to tell you that when Mads arrives on set, I briefly describe the egg trick to him whereupon he just tosses an egg up in the air and breaks it perfectly on the spatula. Did it.  Unbelievable. I insist it was a lucky fluke but he does it again. I accuse him of practicing when I wasn’t looking but he laughs (as if he has time to practise egg-cracking between scenes) and confesses he was a juggler in his youth. 
Beverly Kidney Pie

Sad slices of Beverly Pie

     Beverly has been in and out of the frying pan so many times in the draft scripts of the last two episodes that I have known for several months I will be cooking her up for Hannibal…yet I am utterly stopped in my tracks when I see vivisected silcone Beverly in the studio, sliced up in clear acrylic like a Damian Hirst cow. I stand 5 inches away from the piece and it looks real. I would like to marvel at the talent of Francois Dageneau, our prosthetic guy who makes these human sculptures, but I can’t. My mind is too busy screaming “She’s really dead!” Not cryovacced a basement somewhere to emerge in a future script. There can be no resurrection from this Slice-o-matic. Beverly Katz is deader than dead.
Beverly Pies line up ready for retakes

     I feel something that can only be described as grief. I understand that I will miss seeing the funny talented Hettienne Park in the studio but I am surprised that I feel real sadness about losing this fictional character. I loved her directness – she always solved the crime simply with her clear unwavering logic. While the guys in the room were running around hallucinating, waffling and pouting, she always came up with the goods. I see Hettienne (with baby bump!) in the make-up trailer and tell her I want her to come back in a dream sequence. We can but hope.


Beverly Pate - Yellow and red beets layered with chevre  and sliced to show their inner beauty

Buddah's Hand reaching up through the floorboards to grab  your leg and pull you into the dirt - which is black quinoa

The kidney in the pie is Beverly’s.

     I made Beverly into a pie (honor the Pushing Daisies' Pie Hole!) because no matter how sturdy and delicious the pastry, even though it defines the pie it is just a shell for the meaty centre. The top pastry I made into a mask – in this case, it’s Will’s prison mask. On set, Mads asked me if the pastry was to represent Hannibal's mask – absolutely not!  No one wants to keep him out of prison more than I do! Unless he can get a cell with an eat-in galley kitchen.
Making the pastry mask - mini mask shaped in clay, then covered in tinfoil to create a form for baking the pastry tops

     I think we will all feel aftershocks from the killing of Beverly – if only because her death is a signal that NO ONE IS SAFE. Let’s all comfort ourselves with a hearty breakfast and two shots of bourbon:

Hangtown Fry


Also great for a light supper or a weekend brunch or to celebrate when you discover gold.

For one serving:
3 eggs
3 Tbsp cream
¼ cup water
3 to 5 raw oysters, shucked
½ cup breadcrumbs
¼ cup flour
6 Tbsp butter
2 thick slices pancetta bacon, fried
salt, pepper

1. In a small mixing bowl, beat eggs and cream together. Remove all but 2 Tbsp to another bowl and set aside while you fry the oysters.

2. In the first bowl, add ¼ cup water to the 2 Tbsp egg mixture and beat together.

3. Spread breadcrumbs on a plate and flour on another plate.

4. Dip each oyster into flour, then egg water, then breadcrumbs to coat evenly.

5. In a skillet over medium-high heat, melt 2 Tbsp of butter and fry oysters just until golden brown. Do not cook all the way through. Set aside.

6. Wipe skillet clean with paper towel and place over medium heat. Add butter. When butter is bubbling, add beaten eggs from 2nd bowl. Season with salt and pepper to taste. Scramble gently and before egg is completely cooked, add oysters. Continue to scramble gently and when eggs are fully cooked, turn out onto plate. Garnish with bacon slices and enjoy!

Next week: Osso buco was a fore-taste. Can thigh be far behind?

I sent this photo to the Prop Master to show how a veal shank could pass for a food stylist's leg

all material within copyright of Janice Poon unless otherwise noted

Saturday, 15 March 2014

Episode 3 Hassun




Death...

Grinning from ear 

To ear. 

Justice and revenge 

Best served cold. 

His breath a sentence serving life.


     Hassun is the second course of a Kaiseki dinner - so named because of the size of the plate (eight inches). This course features foods that are complements of each other in nature, artfully depicting the relationship between sea and mountain  -- or field and stream. A sort of tension/attraction - a balance of opposites.


No Food Scenes this episode. Just ears, ears, ears. So for this week, I switch from cannibal cookery to vampire bloodthirst.


      If Hannibal is tied up in court or too busy killing and mutilating to even think about cooking, it means a break for me - or does it?

      It just so happens that our neighbours, the Upyrs are hungry. (That's right, Upyrs - don't you dare go calling them vampires - or even vampyres - they are much more powerful, richer, smarter and of a much more ancient lineage...etc etc) They are shooting Hemlock Grove  in the studio down the street so I head over to their sound stage to do some food scenes.

      They want the Upyr Princeling to break the bone of his lamb shank dinner and suck out the marrow in a post-pubescent moment of suddenly discovered bloodlust. Of course, Handsome Bill Skarsgard, who plays him can't break a shank bone with his bare hands - you have to have the magical super-human strength of an Upyr to do that - so I am called in to make some fake E-Z snap'n'half ones:

Faking marrow bones out of tarelli dough painted with white chocolate colored red
Lamb shank with fake bone-which gets filled with cranberry jelly to look like bloody marrow

and the raw heart and kidney I made from jello and filled with red syrup blood spurt

     It seems they also needed a couple dozen fake hearts and kidneys for Bill to gobble as they come out of the cloned human organ machine. And they have to spurt copious amounts of blood all over the place when Bill chomps on them. So I made them out of raspberry jello - a dozen each to cover all the takes with some left over to leave in co-worker's desk drawers. I think they are having quite a lot of fun over at Hemlock Grove.

Speaking of fun chomping,

     Lots of you have been cooking along with Hannibal and some have sent me photos of the results. I thought this non-food week would be a good time to share these great efforts with everyone. Here are some of the delicious plates readers of this blog have been creating:

This one came in the day after Hassun aired:




Mads peering at their dinner -- Osso buco made by reader "Thursday St Giles"

and then I got these delicious looking photos from more Hannichefs.....


Hmmm-this one made by Joseph E in Wisconsin looks tastier than what I made for Mads ... but can you make 50 of them Joe, all the same, at midnight, with 4 hours notice - well can you? 



Ryan G sent this from LA - his version of Osso Buco made from beef  chuck - he and his wife are recovering vegetarians and didn't want to use human baby veal legs. Wise choice.

Somdutta sent this from India - she made Venison Stew (from Season 1) but used chicken and ham. Makes sense since the Wendigo is always hamming it up for Will or playing Chicken in the hall.

More Hannidinners made by readers:

Bread pudding made by Euiseok
Huevos High Life made by Euiseok



Veal heart made by DoubleTeE


Pork heart with tomato barquettes and roses by Double TeE

Fruit in Nautilus made by Joshua

Oxtail made and photographed by Joshua - see more at the link below:


Stuffed Veal Loin  Step1: Spinach stuffing       by Katerick
Loin Step 2: Cumberland sauce        by Katerick
Step 3: Stuffed loin just out of the oven       by Katerick
Step 4: Bon appetit!       made by Katerick

plus some lovely Fannibal art...

A manga interpretation by ca-illustration.tumblr.com of my interview with Freddie Lounds http://tattle-crime.com/post/55309235402/


More, please!!! From the comments I'm reading, I think a lot of you are cookin' with the cannibal. Why not share!

      Next time you cook something Hannibal - from my recipes or otherwise - I'd love to post them here (mail to janicepoon8@gmail.com) 

Next Week: You will never look at a jar of honey the same way again. Ever.





all content of this post except where noted copyright Janice Poon 2014




Friday, 7 March 2014

Episode 2 Saki-zuke





Hues
And cries:

Your prayer
Your pain.

You see your god
watching
Through your own eyes.

Gone in a blink.

Sakizuki is the first course in a formal Kaiseki dinner.
     …a sampling of small appetizers whose ingredients, garnishes and dishware sets the tone for the season and invites the gods to partake of the meal.
Winter sakizuki at Hashimoto's Kaiseki restaurant in Toronto

...meanwhile Jack is trapped in the Pantry of Death with tasty sauce dribbling down his neck....


     This episode is named Sakizuke and sets the tone for the story of Hannibal as it unfolds this season: stronger inscrutable Will, murderous Hannibal, gutsy Jack, vulnerable tasty friends and foes. Although some get much closer and some run away…no one is safe.


I'm tiptoeing through the dark studio to my food styling station trying not to wake the dead 

Just an average day hanging around the Hannibal set.
     At the sound stage, Shoot Day 12 is an interesting day for hair and makeup: Thirty-eight extras naked and wedged up next to each other in a very cold studio are to be shot as an artwork. (Everything is people.)

     It’s the Eyeball Tapestry. A closed set, of course. Can’t have random crew milling around the set when three dozen actors are lying about naked curled together in the shape of an eyeball. Might break their mood – although at some point each one of them must be seriously questioning  “What is my motivation?”

     The human mural looks spectacular. I can’t help but notice that KY Gel was on the call sheet for Hair/Makeup. How much they used and for what, I can only speculate. (I’ll get the details and plug them in here later.)

Pausing a moment for deep reflection...eye don’t get it
     Looking at the crime scene photo on set, I wonder about the deeper meaning of that mural. Plato’s man is too weak to turn his eye directly to the light to see things as they really are – instead, he lives in the darkness informed only by the shadows on the cave walls.

     Looking for God, the muralist looks brazenly into the light -- inwardly wishing only to be seen. Meister Eckhart said it: “The eye through which I see God is the same eye through which God sees me.”

Aye think naught.
      I, cave-dwelling food stylist, can only look at my shadowy life through a funnybone. So when the topic of eyes comes up, for a joke, I send this out to set:

Tasty Brussels sprouts -isn't that an Ox-eye moron?



Yes, kiddies, it's all fun and games until somebody wants to change things just when you thought your artwork was done. Yup, I'm talking about that unbearably grisly scene with the human eyeball tapestry that I can't look at. Just like when I was a couturiere – sewing’s ok but please don’t ask for an alteration. Seam ripping is the absolute worst.



Put down that sewing kit and get to the cooking, Mads
My concept sketch for Hannibal's solitary dinner
    We are gathered, rapt around the set, peering over shoulders to get a good view. Everyone has been drawn away from their work: the grips, hair/makeup, carps, set dec. Standing around the Pantry set watching the props guy set up the massive butcher's bandsaw so Mads can saw the leg into 3-inch sections for his evening snack in Scene 23. I'm nervous about Mads working the giant butcher’s band saw. The “skin” of the fake leg sticks and won’t slide across the saw smoothly. What if Mads slips and cuts off a finger. Hannibal in the book has six fingers on his left hand – Mads is doing the role with five but four - not so good.


My food styling station where I prep the real veal leg for osso buco

Hannibal's pantry where he preps the fake leg for osso buco

     Adding to the tension, Francois has made only one "hero" prosthetic leg for the scene. No second takes on this one. The prosthetic leg, in spite of its starring role, has to stand around waiting just like the rest of us. 
The fake leg standing around with Francois' bag of tricks and tools

     Of course, there was nothing to worry about. Mads works the butcher’s saw like it's his day job. The crew breaks out in laughter and applause after he breezily saws the leg into sections then tosses the foot in the air with a celebratory flourish.

The foot ends up on my plate.

Never too busy to put your feet up.

Little fibulae, little fibs
     We shoot the scene of Hannibal making the osso buco and I insert little fibula bones into the sections of meat so they look human. Oh, they are actually veal shanks – did I say they were people? I made these little bone buttons out of Fimo so they would be heat resistant and stand up to the frying.

painting blood on my fake fibulae

On the plate: osso buco with saffron-scented risotto and zucchini eyeballs. Plus a couple tiny cobs of baby corn to stand for the corn fields in the chase scene. 
Hannibal's hero Osso buco (before fibula implant) 

Only time for one meal?
      Hannibal is a man capable of many things but he is very extra busy ironing his plastic suit for the many kills he must perform this episode. Anyway, he has to keep his girlish figure for the hot hot scenes to come mid-season. (Yes! You heard me -- hot scenes coming to your screen soon!!!)

Hannibal dining alone? Let's all have TV Dinner together!
     Here’s a recipe for you if you want to watch episode 2 again and have a simul-snack with Hannibal:

     You can make this with chicken. Instead of using veal shank, cut a 3 ½  lb chicken into six pieces and do everything else the same but reduce cooking time to 1 hour.

     Risotto is the classic accompaniment to Osso Buco, but you can serve it with regular rice or buttered egg noodles if you don’t have the time to stand over a hot stove stirring risotto.

Osso Buco
     Hannibal makes this dish with his secret ingredient, the muralist’s lower leg.  You can make a delicious, less diabolical version with veal – a calf of a more acceptable sort. 

6 pieces of bone-in veal shank, each 6 to 8 cm (2 to 3 inches) in length
125 mL (½ cup) flour
salt, pepper to taste
30 mL (2 Tbsp) olive oil

250 mL (1 cup) chopped onions
250 mL (1 cup) carrots in 5mm (¼-inch) dice
250 mL (1 cup) celery in 5mm (¼-inch) dice
125 mL (½ cup) parsnips in 5mm (¼-inch) dice
30 mL (2 Tbsp) butter

250 mL (1 cup) beef stock (or chicken stock for lighter flavour)
250 mL (1 cup) red wine (or white wine for lighter flavour)
375 mL (1 ½  cups) fresh or canned chopped plum tomatoes

5 mL (1 tsp) dried oregano
1 sprig fresh rosemary
1 bay leaf

1. Dredge veal pieces with flour and sprinkle with salt and pepper.
2. In a large Dutch oven or heavy lidded casserole, heat olive oil over medium-high heat then add veal pieces, sautéing on all sides til brown. Remove veal pieces to a bowl and set aside.
3. Add onions, carrots, celery and butter to Dutch oven and sauté, stirring over medium heat until lightly browned.
4. Deglaze the Dutch oven by adding stock and scraping up all the browned bits from the bottom of the pan, then add wine, tomatoes, oregano, rosemary and bay leaf.
5. Return veal shanks to the Dutch oven, cover and bake at 180°C (350°F) for 1 hour then reduce to 140°C (275°F) and bake for another 2 to 3 hours or until very tender.

Garnish with chopped parsley and lemon zest and serve with risotto.  Serves 4.


Next week: Shanks but no shanks: a surprise dinner invitation from the fun Upyrs who live down the street



all content copyright Janice Poon 2014